artistresidency

May: Artist in Residence with Leveld Art Centre, Norway & New Work

So for the month of May I was Artist in Residence at Leveld in Norway, a small village in the Ål municipality, Hallingdal home to 300 inhabitants about 700 m above sea level. Another remote mountainous location: perfect once again for me. I feel like I’ve done just about every remote artist in residence programme that there ever has been!

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I spent the 4 weeks mainly based at the Leveld Art Centre, it’s very much a residency for creatives to go to and be immersed in the village and location without any distractions. There’s not even a shop in the village so it really is about going there to get headspace, think about your ideas and work to develop on a project that needs time and space.

I’ve realised through close inspection and really challenging how I think about my work and how I intend for it to develop that there is very much a clear style within my practise and how I respond to the landscape in which I immerse myself in. A major part of me making the art work is being surrounded in an environment that not only invigorates me in terms of remote and harsh elements, it also provides me with the right visual inspiration for me to go forward with new work. The harsh strong black lines I use convey the significant unique texture, shape and linear quality of the landscape whilst the energetic mixed medium marks are responding to the temporary elements that surround the land. It is about connecting people to this energy that exists in nature. I hope my photos of my work below show this kind of idea and give the work clarity.

And so I won’t go into detail about every piece of art work I made, instead here is some photographs that show the location of the place and some of the new works I produced within my time there! At the moment I’ve just left my post as artist in residence in Leveld and currently in Bergen where I will then depart for Shetland then back to the Scottish Mainland so that’s what to expect from my next posts!

Thanks again as always for reading and if you would like to purchase my work head on over to my online shop for small original works at online shop or you can browse my full portfolio at website.

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The year so far/Cill Rialaig Artist in Residence

It has been a very long time since I have blogged and I really cannot believe that it is nearly May! One of the last blogs I made about my work was after my residency in Sumburgh Head Lighthouse back in November! Apologies for the lack of blogging going on but since the beginning of this year, well just my life in general, I’ve literally went from one place to the next, one project after another barely giving myself a day to rest in between. The beginning of this year started off with me living in Venice for 6 weeks. I received a full fellowship to teach printmaking at the International School of Printmaking in Venice, (Scuola De Grafica) to be precise. It was here where I got to work on my practise, teach my specialisation of lithographic printmaking and explore the bizarrely beautiful man made Island of Venice. I’ve decided not to write a separate post about my time here as already the months have flown in but if you would like to see some of my work made in Venice I have some listed on my page: art site. It was a productive intense 6 weeks of making a new series of monoprints, collographs, playing around with painting and layering on top of the work whilst going to as many classes that were available to me at the School.

Since returning from there I had a few days to catch up with things in Scotland, I missed it so much when I was away. Don’t get me wrong Venice is an extremely beautiful place but it is not natural. I’ve never been immersed in a place that is not surrounded by mountains or nature, I’ve always chosen to go directly north, to places of sparse population and remoteness so it was a challenge for me and sometimes the hectic hordes of tourists and level of mass crowds would really stress me out! However, the history, art and culture of the place was truly amazing and the fact that it has barely been touched for as long as it has been built is astounding. A city degrading in such a beautiful way.

After Venice I then went back to my favourite place; The Isle of Eigg to spend a week’s residency with the Bothy Project. You can read about my time here where I’ve wrote a big article for the Bothy’s Website: Thoughts from an Island.

After the Isle of Eigg I then caught the ferry back to the mainland and flew to Ireland the following day. I told you I don’t give myself much time in between! I spent the beginning of my time in Ireland catching up with all of my wonderful family and travelling around part of the Wild Atlantic Way and The Ring of Kerry gathering inspiration as I went. It was then a 2 week period from the 29th of March to the 12th of April as Artist in Residence at Cill Rialaig Artist Retreat, known as one of the most remote artist residencies in the world; seemed pretty fitting for me then!

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Cill Rialaig Village which was built in 1790 sits high on a cliff at the very edge of Ireland, County Kerry looking right out onto the Atlantic and feeling the full force of the storms and wind that come off the ocean. This area was phase one of a self-help three part economic and social plan for the much neglected Gaeltacht (Irish speaking) area of Ballinskelligs, County Kerry. This involved the rescue and redevelopment of the pre-famine village of Cill Rialaig as a retreat for artists, poets, writers, film makers and composers of national and international repute.

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The aim of the village is to have a retreat and creative space for creatives to come to and make work without distractions in a very inspiring location. The residency was one I had known about for quite a while so I was eager to work there. Also Ireland is absolutely incredible, the history, the culture, the folklore, the magnificent landscapes which are so reminiscent of the Scottish ones; plenty to explore and mounds of inspiration for me. I’ve spent a lot of summers in Ireland growing up spending time with my family mainly in the County Clare area where the majority of them live and travelling further afield yet County Kerry was an area of Ireland I couldn’t remember much of and hadn’t got round to exploring as much.

Anyway, it turns out Kerry is incredible! I hired a car for my two week residency as I knew in myself that I would be eager to get out and about and travel around the coastline especially as the iconic Ring of Kerry and Wild Atlantic Way route was so nearby! As much as I loved spending time in the quiet solitude of Cill Rialaig Artist Village, I also wanted to venture further and hike, go and see the unique ruins in the area whilst drawing on site as some of the locations around the coast that I had selected specifically were geologically speaking absolutely fascinating.

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My two week period flew by, time stretched out in front of me at the beginning, a feeling of bounds of time, no distractions, me and the immersive cottage/ studio all ready to get set and make work whilst watching the sea right at my doorstep, yet after a few days I realised it was going in so quick (as these things always do) and I wanted to see more and more of the area.

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I had no set project for my time at Cill Rialaig. As a bit of a Residency fanatic I have decided to slow down a bit and realise I can’t do residencies constantly back to back, I enjoy them and have done many since graduating from Art School 2 years ago yet I’ve collated so much information, documentation and work from each one without giving myself time to process them in between so for this one I knew that my intentions were to hike around the wonderful coastline, make work when I felt like it, give myself headspace and make the most of my two weeks of quiet solitude right at the very edge of the Atlantic.

Anyway, here are some images of the work I made on residency. After accumulating a lot of varied drawings and paintings in the past year from residencies in Iceland, Shetland, Norway, Svalbard, Venice, and now Ireland I have certainly amassed a lot that I would like to sit back and look at all together and see how my work has changed and developed from spending time in each place.

Thanks for reading as always!

Shifting Land – New works made on Eigg.

As part of my two month long spell on the Island of Eigg, I have produced a new series of paintings and drawings, all 30 x 42cm. All work is made in response to the ever shifting colour, geology and landscape found on the unique Island.

These new works form a new way of looking at the landscape, built up of washes, textures and varied colours, I aim to convey the overwhelming presence of the land, the powerful elements that constantly shift over the horizon and the way in which the landscape is in constant motion.

You can also find more of the detailed images of the individual work over here on my website. If you have enquiries about the work or would like to purchase any of the individual pieces, please email me at ellisoconnor@hotmail.co.uk. All work is original and has been made directly on site here on the stunning western Isle.

Lastly, as it’s my last week here on Eigg, I’ll be publishing a huge blog post in a few days talking about my experience on the Island, my upcoming projects and in general just checking in as it’s been over 2 months since my last post!

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Isle of Barra and outdoor studios.

I spent a week on the incredible Isle of Barra for a week at the end of  June. Even though I’m currently located on the Isle of Eigg, I thought I would share some photographs with you all from my trip on Barra while I have the chance and some of the work I made whilst I was out there. I spent the week seeing as much as possible on the Island, walking around all of the various areas of natural interest, climbed Heaval, (which is the highest point on Barra) produced some new drawings whilst outside in the midst of the inspiring landscape and even got a day trip over to the neighbouring Island of Eriskay. I could tell you all of the exact places I ventured to and the geological interest they have but I think I’ll just let the pictures do the talking for now! Where are you favourite Islands in Scotland and what are your go to places for creative inspiration?

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I’ve noticed recently within my work that I don’t necessarily need to have a ‘studio’ in an exact place, a room in which I go to, to produce my work. All I’ve been inspired by recently is being able to go out in the various landscapes we have here in Scotland and set up my studio outside in the midst of it all. It’s a wonderful thing being able to set up a studio space outside, just you, the mediums, the paper and the natural wonders around you. And before anyone asks, no it is not ‘sketching’ I’m doing, I’m making work, just because I am working and documenting what I see outdoors does not make it any less significant if I was producing the final piece in my actual studio indoors. Sorry that went on a little bit, but what I’m trying to say and what the most important thing to me in my artwork is finding primary inspiration and working straight from it and of course take advantage of the inspiring places we have around us to fuel and enrich my practise!

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Anyway, here are some photos from my time on Barra last month! I hope you like them and feel free to follow along on my adventures through my social media platforms at:

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Thanks again for reading my blog!

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